Проект осуществляется при поддержке Российского гуманитарного научного фонда (РГНФ, грант № 11-04-12064в).

О проекте Новости Современники
Шекспира		 Переводчики
и переводы		 Публикации Спектакли и фильмы
Главная Современники Шекспира ЛАНЬЕР Эмилия Эмилия Ланьер. Библиография
Система Orphus

Эмилия Ланьер. Библиография

  • Моцохейн Б. И. Кто этот господин? М. : ТЭ, 2001. С. 207–210.
  • Шекспировская энциклопедия / под ред. С. Уэллса при участии Дж. Шоу ; Пер. А. Шульгат. М. : Радуга, 2002. С. 104.
  • Amini, Daniela. Kosher Bard: Could Shakespeare’s Plays Have Been Written by the ‘Dark Lady,’ A Jewish Woman of Venetian-Moroccan Ancestry? John Hudson Thinks So [архивировано в WebCite] // New Jersey Jewish News. 2008. 28 February. Р. 32–33.
  • Bassano, Peter. ‘Dark Theories.’ Letters to the Editor // The Daily Telegraph. 1997. 11 October.
  • Berry, Boyd. ‘Pardon though I Have Digrest’: Digression as a Style in “Salve Deus Rex Judaeorum” // Aemilia Lanyer: Gender, Genre and the Canon / ed. by Marshall Grossman. Lexington : The University Press of Kentucky, 1998. Р. 211–233.
  • Bevington, David. A.L. Rowse’s Dark Lady // Aemilia Lanyer: Gender, Genre and the Canon / ed. by Marshall Grossman. Lexington : The University Press of Kentucky, 1998. Р. 10–28.
  • Faith, Melanie. The Epic Structure and Subversive Messages of Aemelia Lanier’s “Salve Deus Rex Judaeorum” : M.A. thesis. Blacksburg : Virginia Polytechnic Institute and State University, 1998.
  • Garrison, John. Aemilia Lanyer's Salve Deus Rex Judaeorum and the Production of Possibility // Studies in Philology. 2012. Vol. 109. No. 3. P. 290–310.
  • Gililov, Ilya. The Shakespeare Game: The Mystery of the Great Phoenix. N. Y. : Algora Publishing, 2003.
  • Green, Martin. Emilia Lanier IS the Dark Lady // English Studies. 2006. Vol. 87. No. 5. Р. 544–576.
  • Guibbory, Achsah. The Gospel According to Aemilia: Women and the Sacred // Aemilia Lanier: Gender, Genre and the Canon / ed. by M. Grossman. Lexington : The University Press of Kentucky, 1998. Р. 191–211.
  • Hudson, John. Amelia Bassano Lanier: A New Paradigm [архивировано в WebCite] // The Oxfordian. 2009. Vol. XI. Р. 65–82.
  • Hughes, Stephanie Hopkins. New Light on the Dark Lady [архивировано в WebCite] // Shakespeare Oxford Newsletter. 2000. 22 September. Vol. 36. No. 3. P. 1, 8–15.
  • Lasocki, David; Prior, Roger. The Bassanos: Venetian Musicians and Instrument Makers in England 1531–1665. Aldershot, Hampshire : Scolar Press ; Brookfield, VT : Ashgate, 1995.
  • Loughlin, Marie H. ‘Fast Ti’d Unto Them in a Golden Chaine’: Typology, Apocalypse, and Woman’s Genealogy in Aemelia Lanier’s Salve Deus Rex Judaeorum // Renaissance Quarterly. 2000. Vol. 53. No. 1. Р. 133–179.
  • Malcolmson, Cristina. Early Modern Women Writers and the Gender Debate: Did Aemelia Lanier Read Christine de Pisan? : Unpublished conference paper presented at the Centre for English Studies, University of London, 1998.
  • Merwin, Ted. The Dark Lady as a Bright Literary Light // The Jewish Week. 2007. 23 March. P. 56–57.
  • Mueller, J. The Feminist Poetics of Salve Deus Rex Judaeorum // Aemilia Lanyer; Gender Genre and the Canon / ed. by Marshall Grossman. Lexington : The University Press of Kentucky, 1998. Р. 99–127.
  • Ongaro, Giulio M. New Documents on the Bassano Family // Early Music. 1992. August. Vol. XX. No. 3. P. 409–416.
  • Posner, Michael. Rethinking Shakespeare // The Queen’s Quarterly. 2008. Vol. 115. No. 2. P. 247–259.
  • Powell-Smith, Michelle. Aemilia Lanyer: Redeeming Women Through Faith and Poetry [Электронный ресурс] // Suite101.com. 11.04.2000. URL: http://archive.suite101.com/article.cfm/church_history/37144
  • Prior, Roger. Jewish Musicians at the Tudor Court // The Musical Quarterly. 1983. Vol. LXIX. No. 2. Р. 253–265.
  • Ruffatti, Alessio; Zorattini, Pier Cesare Ioly. La Famiglia Piva-Bassano Nei Document Degli Archevi Di Bassano Del Grappa // Musica e Storia. 1998. Vol. 6. No. 2.
  • Schnell, Lisa. Breaking “the Rule of Cortezia”: Aemelia Lanier’s Dedications to Salve Deus Rex Judaeorum // The Journal of Medieval and Early Modern Studies. 1997. Vol. 27. No. 1. Р. 77–101.
  • Schoenbaum, Samuel. Shakespeare’s Dark Lady: A Question of Identity // Shakespeare’s Styles : Essays in Honour of Kenneth Muir / ed. by Philip Edwards, Inga-Stina Ewbank and G. K. Hunter. Cambridge : Cambridge University Press, 1980. Р. 221–239.
  • Wallace, Julia. That’s Miss Shakespeare To You [архивировано в WebCite] // Village Voice. 2007. 20 March — 3 April. P. 42.
  • White, Micheline. Anne Lock, Isabella Whitney and Aemilia Lanyer. [Ashgate Critical Essays on Women Writers in ENGLAND, 1550–1700, vol. 3]. Farnham ; Burlington, VT : Ashgate, 2009.
  • Woods, Susanne. Anne Lock and Aemilia Lanyer: A Tradition of Protestant Women Speaking // Form and Reform in Renaissance England : Essays in Honor of Barbara Kiefer Lewalski / ed. by Amy Boesky and Mary Thomas Crane. Newark : University of Delaware Press, 2000. P. 171–184.
  • Woods, Susanne. Lanier: A Renaissance Woman Poet. N. Y. : Oxford University Press, 1999.

Сост. Б. Н. Гайдин