Томас Хейвуд. Библиография
I. ДРАМАТИЧЕСКИЕ ПРОИЗВЕДЕНИЯ
А. Ранние издания
- A Challenge For Beautie. As It Hath Beene Sundry times Acted, By the Kings Majesties Servants: At the Blacke-friers, and at the Globe on the Banke-side. Aut prodesse solent, aut Delectare—. Written by Thomas Heywood. 1636. Перепечатано в: Dilke’s O. E. P., vol. VI.
- A Pleasant Comedy, called A Mayden-Head Well Lost. As it hath beene publickly Acted at the Cocke-pit in Drury-lane, with much Applause: By her Majesties Servants. Written by Thomas Heywood. Aut prodesse solent, aut delectare. 1634. Перепечатано в: Old English Drama, vol II. 1824.
- A Woman Kilde with Kindnesse. Written by Tho. Heywood. 1607. Перепечатано в: Reed’s Dodsley, vol. VII; Ancient B. D., vol. II; Collier’s Dodsley, vol. VII.
- If you know not me, you know no bodie; Or, The troubles of Queene Elizabeth. L. : Printed for Nathaniel Butter, 1605. Др. издания: 1606, 1608, 1610, 1628, 1632, 1680.
- Loves Maistresse: Or, The Queens Masque. As it was three times presented before their two Excellent Majesties, within the space of eight dayes, In the presence of sundry Forraigne Ambassadors. Publikely Acted by the Queens Comoedians, At the Phoenix in Drury-Lane. Written by Thomas Heywood. Aut prodesse solent, and delectare. 1636. Перепечатано в: Old English Drama, vol. II, 1824.
- The Brazen Age, The first Act containing, The death of the Centaure Nessus, The Second, The Tragedy of Meleager: The Third, The Tragedy of Jason and Medea. The fourth. Vulcans Net. The fifth. The Labours and death of Hercules: Written by Thomas Heywood. 1613.
- The English Traveller. As it hath beene Publikely acted at the Cock-Pit in Drury-lane: By Her Majesties servants. Written by Thomas Heywood. Aut prodesse solent, aut delectare—. 1633. Перепечатано в: Dilke’s O. E. P., vol. VI.
- The Fair Maid Of The West. Or, A Girle worth gold. The first part. As it was lately acted before the King and Queen, with approved liking, By the Queens Majesties Comedians. Written by T. H. 1631. [Вторая часть была опубликована в том же году под тем же названием.]
- The First and Second Parts of King Edward the Fourth. Containing His mery pastime with the Tanner of Tamworth, as also his love to faire mistrisse Shoare, her great promotion, fall and miserie, and lastly the lamentable death of both her and her husband. Likewise the besieging of London, by the Bastard Falconbridge, and the valiant defence of the same by the Lord Mayor and the Citizens. As it hath divers times beene publikely played by the Right Honorable the Earle of Derbie his servants. L. : Imprinted at London by I. W. for John Oxenbridge, dwelling in Pauls churchyard at the Sign of the Parrot, 1599.
- The Foure Prentises of London. With the Conquest of Jerusalem. As it hath bene diverse times Acted, at the Red Bull, by the Queenes Majesties Servants. Written by Thomas Heywood. 1632. Перепечатано в: Ancient B. D., vol. II; Collier’s Dodsley, vol. VI.
- The Golden Age. Or The lives of Jupiter and Saturne, with the defining of the Heathen Gods. As it hath beene sundry times acted at the Red Bull, by the Queenes Majesties Servants. Written by Thomas Heywood. Tam robur, tam robor. in-colis Arbor Jovis. 1610.
- The Iron Age: Contayning the Rape of Hellen: The siege of Troy: The Combate betwixt Hector and Ajax: Hector and Troilus slayne by Achilles: Achilles slaine by Paris: Ajax and Ulisses contend for the Armour of Achilles: The Death of Ajax, &c. Written by Thomas Heywood. Aut prodesse solent, aut delectare. 1632.
- The Rape of Lucrece. A True Roman Tragedie. With the severall Songes in their apt place, by Valerius, the Merrie Lord among the Roman Peres. Acted by her majesties Servants at the Red-Bull, neare Clarkenwell. Written by Thomas Heywood. 1608. Перепечатано в: Old English Drama, vol. I, 1824.
- The Royall King, and The Loyall Subject. As it hath beene Acted with great Applause by the Queenes Majesties Servants. Aut prodesse solent, aut delectare—. Written by Thomas Heywood. 1637. Перепечатано в: Dilke’s O. E. P., vol. VI.
- The Second Part of the Iron Age. Which contayneth the death of Penthesilea, Paris, Priam and Hecuba: The burning of Troy: The deaths of Agamemnon, Menelaus, Clitemnestra, Hellena, Orestes, Egistus, Pilladse, King Diomed, Pyrhus, Cethus, Synon, Thersites, &c. Written by Thomas Heywood. 1632.
- The Second Part of, If you know not me, you know no bodie. With the building of the Royall Exchange: And the famous Victorie of Queene Elizabeth, in the year 1588. 1606.
- Другое издание 1609 г. вышло под названием: The Second Part of Queene Elizabeths troubles. Doctor Paries treasons: The building of the Royall Exchange, and the famous Victory in An. 1588. With the Humors of Hobson, and Tawnycote.
- The Silver Age, Including. The love of Jupiter to Alcmena: The birth of Hercules. And the Rape of Proserpine. Concluding, With the Arraignement of the Moone. Written by Thomas Heywood. Aut prodesse solent aut delectare. 1613.
- The Wise-woman Of Hogsdon A Comedie. As it hath been sundry times Acted with great Applause. Written by Tho. Heywood. Aut prodesse solent, aut Delectare—. 1638.
- (С Ричардом Бромом.) The late Lancashire Witches. A well received Comedy, lately Acted at the Globe on the Banke-side, by the Kings Majesties Actors. ritten, by Thom. Heywood, and Richard Broome. Aut prodesse solent, aut delectare. 1634.
- (С Уильямом Раули.) Fortune By Land and Sea. A Tragi-Comedy. As it was Acted with great Applause by the Queens Servants. Written by Tho. Heywood and William Rowley. 1655.
Б. Современные издания
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Ворожея из Хогсдена : комедия в 5 актах. М., 1960.
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Женщина, убитая добротой // Современники Шекспира. М., 1959. Т. 1. С. 225–312.
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Красотка с Запада // Елизаветинцы: статьи и переводы / пер. И. А. Аксёнова. М., 1938.
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Красотка с Запада : комедия в 5 актах. М., 1956.
- A Woman Killed with Kindness / Ed. by J. P. Collier / Shakesp. Soc. Publ. 1850; Ed. by A. W. Ward (Temple Dramatists Series.) 1897; Ed. by F. J. Cox, 1907.
- Captives, the; Or The Lost Recovered // Bullen’s Old English Plays, vol. IV.
- Edward IV, The First and Second Parts of / Ed. by Barron Field. Shakesp. Soc. Publ. 1842.
- Fair Maid of the West, the, the First and Second Parts of / Ed. by J. P. Collier. Shakesp. Soc. Publ. 1850.
- Fortune by Land and Sea. By Thomas Heywood and William Rowley / Ed. by Barron Field. Shakesp. Soc. Publ. 1854.
- Golden Age, the, and The Silver Age / Ed. by J. P. Collier. Shakesp. Soc. Publ. 1851.
- If You know not Me, you know no Bodie, or, The Troubles of Queen Elizabeth. Ed. Collier, J. P. Shakesp. Soc. Publ. 1851. (Prologue and Epilogue in Pleasant Dialogues and Drammas.) Перепечатано в: Blew, W. J., with Dekker and Webster’s Sir Thomas Wyat, as Two Old Plays, 1876.
- Royal King, the, and Loyal Subject / Ed. by J. P. Collier, Shakesp. Soc. Publ. 1850.
- The Dramatic Works of Thomas Heywood, Now First Collected, with Illustrative Notes and Memoir of the Author : In 6 vols. 1874. L. : John Pearson (Pearson’s Reprint). [Включает следующие произведения: Pageants: Londini Jus Honorarium (1631); Londini Sinus Salutis (1635); Londini Speculum: or Londons Mirrour (1637); Porta pietatis, or The Port or Harbour of Piety (1638); Londini Status Pacatus (1639)].
- The English Traveller // Old English Plays; Being A Selection from the Early Dramatic Writers. Vol. VI. L. : Printed by Whittingham and Rowland, Goswell Street ; For John Martin, Holles Street, Cavendish Square ; Bookseller to Her Royal Highness the Princess of Whales, 1815. P. 99–218.
- Thomas Heywood / ed. by A. W. Verity ; with introduction by J. A. Symonds. L. : T.F. Unwin ; N. Y. : C. Scribner's sons, 1888. (Mermaid Series: The Best Plays of the Old Dramatists, vol. 6) [Включает: A Woman Killed with Kindness; The Fair Maid of the West; The English Traveller; The Wise Woman of Hogsdon; The Rape of Lucrece.]
В. Пьесы, приписываемые Хейвуду
- A pleasant conceited Comedie, Wherein is shewed how a man may chuse a good Wife from a bad As it hath been sundry times Acted by the Earle of Worcesters Servants. 1602.
- Cf. Baskerville, C. R., Source and Analogues of How a Man May Choose a Good Wife from a Bad. Mod. Lang. Assoc. of America. Vol. XXIV, New Series. Vol. XVII. No. 4. P. 711–730. 1909.
- Dicke of Devonshire, the Play of. A Tragi-Comedy. Hector adest secumque Deos in praelia ducit. [n.d.] Перепечатано в: Bullen’s Old English Plays, vol. II. По поводу источников см.: Ward, vol. II, p. 583, note 4.
- Fayre Mayde of the Exchange, the, With the pleasant humours of the Cripple of Fenchurch. Very Delectable, and full of mirth. 1607. / Ed. by Barron Field. Shakesp. Soc. Publ. 1846.
- No-Body, and Some-Body. With the true Chronicle Historie of Elydene who was fortunately three severall times crowned King of England. The true Coppy thereof, as it hath beene acted by the Queenes Majesties Servants. London, Printed for John Trundle and are to be sold at his shop in Barbican at the signe of No-body. [n.d.] / Ed., with appendix on the story of the play, by R. Simpson. Simpson, vol. I. См.:. Niemand und Jemand, Tieck’s translation, with introduction by Bolte, J., Shakesp. Jahrb., vol. XXIX, 1894.
Г. Маски, бурлески и т. д.
- A Marriage Triumph on the Nuptials of the Prince Palatine and the Princess Elizabeth, daughter of James I. Перепечатано с издания 1613 г.. Percy Soc. Publ., vol. VIII. 1842.
- Londini Sinus Salutis, Or Londons Harbour of Health, and Happinesse. Expressed in sundry Triumphs, Pageants and Showes; at the Initiation of the Right Honorable, Christopher Clethrowe, Into the Mayoralty of the farre Renowned City London. All the Charges and Expences of this present Ovation; being the sole undertaking of the Right Worshipfull company of the Ironmongers. The 29. of October, Anno Salutis. 1635. Written by Thomas Heywood.—Redeunt Spectacula—. 1635.
- Londini Speculum: Or, Londons Mirror, Exprest in sundry Triumphs, Pageants, and Showes, at the Initiation of the right Honorable Richard Fenn, into the Mairolty of the Famous and farre renowned City London. All the Charge and Expence of these laborious projects both by Water and Land, being the sole undertaking of the Right Worshipful Company of the Habberdashers. Written by Tho. Heywood. 1637.
- Londini Status Pecatus: Or, Londons Peaceable Estate. Exprest in sundry Triumphs, Pageants, and Shewes, at the Innitiation of the right Honourable Henry Garway, into the Mayoralty of the Famous and farre Renowned City London. All the Charge and Expence, of the laborious Projects both by Water and Land, being the sole undertakings of the Right Worshipfull Society of Drapers. Written by Thomas Heywood. Redeunt Spectacula. 1639.
- Londons Jus Honorarium. Exprest in sundry Triumphs, pagiants, and shews: At the Initiation or Entrance of the Right Honourable George Whitmore, into the Mayoralty of the famous and farre renouned City of London. All the charge and expense of the laborious projects, and objects both by Water and Land, being the sole undertaking of the Right Worshipfull, the society of the Habburdashers. Redeunt spectacula. 1631.
- Of Londini Artium et Scientiarum Scaturigo, London’s Fountain of Arts and Sciences (1632) and Londini Emporia, or London’s Mercatura (1633). Некоторая информация доступна в: Fairholt, F. W., Lord Mayor’s Pageants, Part I, Percy Soc. Publ., 1843. О Loves Maistresse см. Sec. I A above.
- Porta pietatis, or, The Port of Harbour of Piety. Exprest in sundry Triumphes, Pageants, and Showes, at the Initiation of the Right Honourable Sir Maurice Abbot, Knight, into the Mayoralty of the famous and farre renowned City London. All the charge and expence of the laborious Projects, both by water and Land, being the sole undertaking of the Right Worshipful Company of the Drapers. Written by Thomas Heywood,—Redeunt Spectacula —. 1638.
II. ДРУГИЕ ПРОИЗВЕДЕНИЯ
А. Поэзия
- Albert, F. Über Thomas Heywood’s The Life and Death of Hector eine Neubearbeitung // Lydgate’s Troy Book. Münchener Beiträge vol. XLII. Leipzig, 1909.
- Pleasant Dialogues and Dramma’s selected out of Lucian, Erasmus, Textor, Ovid, &c., With sundry Emblems extracted from the most elegant Jacobus Catsius. As also certaine Elegies, Epitaphs and Epithalamions or Nuptiall Songs; Anagrams and Acrosticks, with divers Speeches (upon severall occasions) spoken to their most Excellent Majesties, King Charles and Queen Mary. With other Fancies translated from Beza, Bucanan, and sundry Italian Poets. By Tho. Heywood. Aut prodesse solent, aut delectare — .1637. [Содержание: The Dialogue of Erasmus, called Naufragium; The Dialogue of Erasmus, called Procus and Puella; The Dialogue of Ravisius Textor, called Earth and Age; A Dialogue from Lucianus Samosatensis, called Misanthropos, or the Man-hater; A Dialogue of the same Author, betwixt Jupiter and Ganimedes; a third betwixt Jupiter and Juno; a fourth betwixt Jupiter and Cupid; a fifth betwixt Vulcan and Apollo; a sixth betwixt Apollo and Mercury; a seventh betwixt Maia and Mercury; an eighth betwixt Jupiter and Vulcan; a ninth betwixt Mercurie and Neptune; a tenth betwixt Mausolus and Diogenes; an eleventh betwixt Diogenes and Crates; a twelfth betwixt Charon, Menippus and Mercury; a thirteenth betwixt Menippus, Æacus, Pythagoras, Empedocles, and Socrates; a fourteenth betwixt Nireus, Thersites and Menippus; A Dialogue called Deorum Judicium, betwixt Jupiter, Mercurie, Juno, Pallas, Venus and Paris; A Drama from Ovid, called Jupiter, and 10; A second from Ovid called Apollo and Daphne; A Pastorall Drama called Ampharisa, or the Forsaken Shepheardesse; Forty sixe emblems interpreted from the most excellent Emblematist, Jacobus Catsius. The Argument, A discourse betwixt Anna and Phillis; Divers Speeches spoken before their two sacred Majesties, and before sundry other Noble persons upon severall occasions; A Maske presented at Hunsdon House; Prologues and Epilogues upon other occasions.]
- Ed. with introduction and notes by W. Bang. Bang’s Materialien, vol. III, 1903.
- The Hierarchie of the Blessed Angells. Their Names, orders and Offices. The fall of Lucifer with his Angells. 1635.
- The Life and Death of Hector. 1614. [A modernisation of Lydgate’s Troy Book.]
- Troia Britannica, or Great Britain’s Troy. 1609.
Б. Проза
- An Apology for Actors. 1612. Перепечатано: Scott, Sir Walter, Somers Tracts, vol. III, and ed. by J. P. Collier, с издания 1612 г., ср.: Cartwright, W., 1658; with an introduction and notes, Shakesp. Soc. Publ., 1841.
- England’s Elizabeth, her life and troubles during her minoritie from the cradle to the crown. 1632. Another ed. 1641. Перепечатано в: Harleian Miscellany, vol. X, 1813.
- Exemplary Lives and Memorable Acts of Nine of the Most Worthy Women of the World. Three Jewes. Three Gentiles. Three Christians. 1640.
- The Life of Merlin, surnamed Ambrosius, His Prophecies and Predictions interpreted, and their truth made good by our English Annalls. 1641.
- Translation of Sallust. 1608.
- Tuvalkeîov or Nine Bookes of Various History, concerninge Women, inscribed by the names of the Nine Muses. 1624. Перепечатано как: The General History of Women, 1657.
III. Литература
- Аксёнов, И. А. Томас Хейвуд и Томас Деккер // Аксёнов И. А. Елизаветинцы: Статьи и переводы. М., 1938. 136–172.
- Гейвуд, Т. // Литературная энциклопедия : в 11 т. М., 1929. Т. 2. Стб. 427–428.
- Горбунов, А. Н. Драматургия младших современников Шекспира // Младшие современники Шекспира / под ред. А. А. Аникста. М., 1986. С. 5–44.
- Захаров, Н. В. Гений на века: Шекспир в европейской культуре / Н. В. Захаров, Вл. А. Луков. М., 2012
- Зонина, Н. В. К истории создания пьесы Р. Брума и Т. Гейвуда «Последние ланкаширские ведьмы» / Редкол. журн.: Вестник ЛГУ им. А. А. Жданова. Сер.: История, яз., лит. Л., 1988.— 10 с. Библиогр.: с. 9–10. Рукопись деп. в ИНИОН АН СССР N 34553 от 4.07.88.
- Комедии итальянского Возрождения / сост. и вступ. ст. Г. Бояджиева. М., 1965.
- Культура эпохи Возрождения и Реформации. Л., 1981.
- Лисович, И. И. Поэзия и наука: наслаждение, воображение и остроумие в Англии раннего Нового времени // Знание. Понимание. Умение. 2012. № 3. С. 227–233.
- Тарлинская, М. Г. Ритмический буквализм? О том, как Иван Аксенов переводил елизаветинцев // Славянский стих: Стиховедение, лингвистика и поэтика : Материалы международной конференции 19–23 июня 1995 года / РАН. Институт русского языка им. В. В. Виноградова; под ред. М. Л. Гаспарова, Т. В. Скулачевой; рец. С. М. Кузьмина, И. Ю. Подгаецкая. М. : Наука, 1996. С. 147–155.
- Убайдуллаева, Д. Х. Поэтика драматургии Томаса Хейвуда: (На материале пьесы «Женщина, убитая добротой») // Поэтика и художественный метод в зарубежных литературах. Ташкент, 1987. С. 50–58.
- Швыдкой М. Хейвуд Т. // Краткая литературная энциклопедия : в 9 т. М., 1975. Т. 8. Стб. 250.
- Шекспировская энциклопедия / под ред. С. Уэллса при участии Дж. Шоу ; пер. А. Шульгат. М., 2002.
- [Algernon Swinburne on Thomas Heywood] // Swinburne A. Contemporaries of Shakespeare. The Complete Works of Algernon Charles Swinburne / Ed. by Sir Edmund Gosse, C. B. and Thomas James Wise. Vol. 12 (Prose Works vol. 2). L. : Heinemann, 1926. 125–368.
- Alumni Cantabrigienses: A Biographical List of All Known Students, Graduates and Holders of Office at the University of Cambridge. From the Earliest Times to 1900 : 10 Vols. / comp. by J. Venn, J. A. Venn. Cambridge, 1922–1954.
- Baines В. J. Thomas Heywood. Boston, 1984.
- Berek, Peter. “Follow the money”: Sex, Murder, Print, and Domestic Tragedy // Medieval and Renaissance Drama in England. 2008. Vol. 21. P. 170–188.
- Bertheau, Gilles. Élisabeth ou le personnage impossible: la figure d'Élisabeth Ire dans Chapman et Heywood // Theta VII — Théâtre Tudor. 2007. P. 291–308.
- Boas F. S. Th. Heywood. L., 1950.
- Booth, Roy. Witchcraft, Flight and the Early Modern English Stage // Modern Literary Studies. 2007.Vol. 13. No. 1 May. P. 3.1–37.
- Carnegie, David; Jackson, MacD. P. The Crux in A Cure for A Cuckold: A Cryptic Message, A Doubtful Intention, and Two Dearest Friends // The Modern Language Review. 2001. Vol. 96. No. 1. P. 14–20.
- Casellas, Jesús López-Peláez. “What Good Newes from Barbary?” Nascent Capitalism, North-Africans and the Construction of English Identity in Thomas Heywood's Drama // Atlantis. 2007. Vol. 29. No. 1. June. 123–140.
- Clark, Ira. The Widow Hunt on the Tudor-Stuart Stage // Studies in English Literature, 1500–1900. Vol. 41. No. 2. Tudor and Stuart Drama. P. 399–416.
- Coffin, Charlotte. An Apologie for Poetrie de Sidney (1595) / An Apology for Actors de Thomas Heywood (1612): Quelles Théories Derrière l'Apologie? // Études Épistémè. 2007. No. 12. P. 25–40.
- Collier J. P. Introduction // Heywood Th. An Apology for Actors : 3 books. L., 1841.
- Collins E. Thomas Heywood and Construction of Taste in the Repertory of Queen Henrietta’s Men // Divining Thoughts: Future Directions in Shakespeare Studies / еd. by P. Orford with M. P. Jones, L. Ketterer, J. McEvilia. Cambridge, 2007. Р. 17–27.
- Corrigan, Nora L. The Merry Tanner, the Mayor's Feast, and the King's Mistress: Thomas Heywood's 1 Edward IV and the Ballad Tradition // Medieval and Renaissance Drama in England. 2009. Vol. 22. P. 27–41.
- Crupi, Charles W. Reading Nascent Capitalism in Part II of Thomas Heywood's If You Know Not Me, You Know Nobody // Texas Studies in Literature and Language. 2004. Vol. 46. No. 3. Complicated Monsters. P. 296–323.
- Elaskary, Mohamed Ibrahim Hassan. The Image of Moors in the Writings of Four Elizabethan Dramatists: Peele, Dekker, Heywood, Shakespeare : Ph.D. Thesis. Exeter : University of Exeter, 2008.
- Forker, Charles R. Royal Carnality and Illicit Desire in the English History Plays of the 1590s // Medieval and Renaissance Drama in England. 2005. Vol. 17. P. 99–131.
- Grivelet М. Thomas Heywood et le drame domestique élizabethain. P., 1957.
- Hardin, William. Conceiving Cities: Thomas Heywood's Londini Speculum (1637) and the Making of Civic Identity // Comitatus: A Journal of Medieval and Renaissance Studies. 1997. Vol. 28. No. 1. P. 17–35.
- Hill, Tracey. “The Cittie is in an uproare”: Staging London in The Booke of Sir Thomas More // Early Modern Literary Studies. 2005. Vol. 11. No. 1. P. 2.1–19.
- Hirsh, James. Eavesdropping on the English Renaissance Stage [Электронный ресурс] // Renaissance Stagings. March 28–29, 2003. Athens, GA : The University of Georgia.
- Honour, Space and Nationhood: The Case of the Travel Play [Электронный ресурс] // Chakabraka.com.
- Jankowski, Theodora A. Class Categorization, Capitalism, and the Problem of “Gentle” Identity in The Royall King and the Loyall Subject and Eastward Ho! // Medieval and Renaissance Drama in England. 2006. Vol. 19. P. 144–174.
- Kalpin, Kathleen. Framing Wifely Advice in Thomas Heywood's A Curtaine Lecture and Shakespeare's The Winter's Tale // SEL Studies in English Literature 1500–1900. 2008. Vol. 48. No. 1. P. 131–146.
- Kawanami, Ayako. “Pleasing All”: Thomas Heywood’s Preservation of the Bases of Elizabethan Theatre // Shakespeare Studies. 1996. Vol. 34. P. 27–48.
- Kaya, Sebnem. A Sociohistorical Reading of Thomas Heywood's The Fair Maid of the West / Thomas Heywood'un The Fair Maid of the West adli es–erine sosyo-tarihsel bir bakis // Interactions. 2007 / Departments of English Language and Literature and American Culture and Literature, Ege University.
- Lieblein, Leanore; Frey, Christopher. Historicizing the Self-Starved Female Body in A Woman Killed with Kindness // Early Theatre. 2004. Vol. 7. No. 1. P. 45–66.
- Lindberg, Kevin. Thomas Heywood's The Royall King, and the Loyall Subject and the Fall of Robert Devereux, Second Earl of Essex // Comparative Drama. 2005. Vol. 39. No. 1. P. 31–53.
- McLuskie K. Dekker and Heywood: Professional Dramatists. N. Y., 1993.
- Murray J. T. English Dramatic Companies 1558–1642. Boston, 1910. P. 195–196.
- Purkis, James. Foul Papers, Promptbooks, and Thomas Heywood's The Captives // Medieval and Renaissance Drama in England. 2008. Vol. 21. P. 128–156.
- Robinson, Benedict Scott. Thomas Heywood and the Cultural Politics of Play Collections // Studies in English Literature, 1500–1900. 2002. Vol. 42. No. 2. Tudor and Stuart Drama. P. 361–380.
- Rowland, Richard. “Speaking Some Words, but of No Importance”? Stage Directions, Thomas Heywood, and Edward IV // Medieval and Renaissance Drama in England. 2005. Vol. 18. P. 104–122.
- Stapleton, Michael L. A Remedy for Heywood? // Texas Studies in Literature and Language. 2001. Vol. 43. No. 1. Renaissance Review: Wyatt, Spenser, Shakespeare, and Heywood. P. 74–92, 94–115.
- Thompson, John. The Craft of Naming in Thomas Heywood's A Woman Killed With Kindness // The North Dakota Journal of Speech & Theatre. 2003. Vol. 16.
- Wentworth M. D. Thomas Heywood: A Reference Guide. Boston, MA : G. K. Hall, 1986.